Based on our preview of tonight’s Unsung featuring the awesome Geto Boys, we are sure we will learn a ton as usual. TVOne has done a spectacular job for the past several years in bringing to light the most amazing stories behind some of our favorite artists and music.
For those of you who are not hip to the Geto Boys, check this out:
From AllMusic.com:
Though the controversial subject matter of gangsta rap wasn’t much of a barrier to popular success during the ’90s, the Geto Boys‘ recordings proved almost too extreme for widespread exposure. Blocked from distributing their 1990 major-label debut by Geffen — who insisted that a track dealing with necrophilia as well as murder was a step too far — the group was saved by producer Rick Rubin, who arranged another distributor for the album, released on his own Def American label. The controversy, which occurred two years earlier than similar censorship incidents involving Ice-T and 2 Live Crew, gave the Geto Boys a large amount of publicity. Their follow-up, We Can’t Be Stopped, eventually hit platinum, though the trio of Scarface, Willie D., and Bushwick Bill began to fracture by 1993. After releasing solo albums during the mid-’90s, the Geto Boys reunited in 1996 for their most praised album yet, The Resurrection.
When the Geto Boys came together in 1986, though, it was with a completely different lineup. Formed as the Ghetto Boys in Houston by rap entrepreneur James “Lil’ J” Smith (and signed to his Rap-A-Lot label), the group originally consisted of Prince Johnny C., the Slim Jukebox, and DJ Reddy Red. During 1987-1988, both Johnny C. and the Jukebox quit, forcing Smith to add a dwarf-dancer-turned-rapper named Bushwick Bill (born Richard Shaw, Jamaica) and two Rap-A-Lot solo acts: Ackshen (aka Scarface born Brad Jordan, Houston) and Willie ‘D’ Dennis (born Houston).
After the Geto Boys‘ Grip It! On That Other Level caught the ear of hip-hop impresario Rick Rubin (LL Cool J, Beastie Boys), Rubin re-mixed and re-recorded tracks from the album. He was ready to release it on his Def American label in 1990 when distributor Geffen balked at “Mind of a Lunatic,” a track which described necrophilia with a murder victim. By late 1990, Rubin had found another distributor, Giant Records, and the album was released — as The Geto Boys — that same year. FULL BIO